Recitals meaning的問題,透過圖書和論文來找解法和答案更準確安心。 我們挖掘到下列精選懶人包

Recitals meaning的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Housden, Roger寫的 Sacred America: The Emerging Spirit of the People 可以從中找到所需的評價。

另外網站Recital 71 - Profiling - General Data Protection Regulation ...也說明:Recital 71 Profiling*. 1 The data subject should have the right not to be subject to a decision, which may include a measure, evaluating ...

國立臺灣師範大學 音樂學系 徐千黛所指導 司徒子陽的 艾伍士《第三號小提琴與鋼琴奏鳴曲》之樂曲分析與演奏詮釋 (2021),提出Recitals meaning關鍵因素是什麼,來自於艾伍士、第三號小提琴與鋼琴奏鳴曲、美國、超驗主義。

而第二篇論文國立臺中教育大學 音樂學系碩士班 莊敏仁、王秋雯所指導 林欣儀的 舒伯特《岩石上的牧羊人》作品詮釋與研究 (2021),提出因為有 女高音、岩石上的牡羊人、單簧管、舒伯特、德文藝術歌曲的重點而找出了 Recitals meaning的解答。

最後網站Recital Definition & Meaning則補充:a program or concert by dance or music students to demonstrate their achievements or progress. · an act or instance of reciting. · a formal or public delivery of ...

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Recitals meaning,大家也想知道這些:

Sacred America: The Emerging Spirit of the People

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為了解決Recitals meaning的問題,作者Housden, Roger 這樣論述:

Sacred America, in lucid and poetic prose, is the story of ordinary people who have dared to follow and trust the voices of their own souls in the midst of everyday life in the United States. It is also the story of another America, one not seen on the nightly news. What Roger Housden finds on his

journey across the country suggests to him that, contrary to popular belief, the United States is among the most creative and spiritually vibrant cultures on earth. Sacred America is his proof. Just as Alexis de Tocqueville set out across our country in search of democracy, so too did Housden, an En

glishman, travel throughout the United States in the waning years of the twentieth century in search of this country's heart. He discovered that, despite or perhaps due to the moral turpitude of Wall Street and Capitol Hill, the spirit of the American people is flourishing. Americans are continually

redefining what it means to be human, what they want from democracy, and, most important, how a democratic society is an expression of the sacred. As an outsider, Housden was both surprised and impressed by what he found -- the extent to which the aspirations, genius, actions, wisdom, and compassio

n of people in all walks of life are woven into the social and cultural fabric of America. For Housden, this presence of Being in the midst of everyday life, rather than in formal places of worship (though he found it there too), is reinventing what a sense of the sacred means for the American indiv

idual at the turn of the millennium. Sacred America acknowledges that a spiritual materialism prospers here to an extent that would stagger any European mind; spiritual techniques and teachings have become major product lines along with everything else. Yet Housden also finds a genuine human spirit

flourishing, found in small-town Wyoming, on a bus ride to Manhattan, on a remote Indian reservation, in an artist's cave in New Mexico, in the life of a letter carrier in California, and even in Hollywood. Further, he finds groups of people coming together to share their various faiths in a truly o

pen spirit: at Wellesley College in Massachusetts; among the politicians of Washington, D.C.; at Habitat for Humanity; at a retreat center for ex-cons in North Carolina; as well as in churches, at an Islamic conference, in Buddhist meditation centers, and in the traditional Hispanic faith in norther

n New Mexico. What is significant, Housden discovers, is that no one is in charge of this emergence of the human spirit. No one is doing it. This other America -- so different from the image that much of the world holds of this country -- is not a cause that you fight for or a movement orchestrated

by any religious or spiritual denomination. It is something at work, Housden suggests, in the collective psyche. It is something we participate in, rather than direct or control. A broader intelligence is at work not as some external force acting on us but from within us as a collective. It is chang

ing the way Americans feel about themselves, restoring a sense of meaning and moral authority to the wellspring of individual conscience -- Housden calls it the intelligence of the knowing heart. Sacred America is emerging, Housden concludes, as that growing community of individuals who are intercon

nected not by the external dictate of creed or culture but by the prompting of the heart's intelligence. Roger Housden is a writer, explorer of sacred traditions, and leader of contemplative journeys in the Sahara, India, and the United States. He gives inspirational talks on the theme of Sacred A

merica and also public recitals of ecstatic poetry from the world’s spiritual traditions. Sacred America is his eighth book. For information on his books, journeys, talks, and recitals, visit his Web site at http: //www.sacredamerica.com, or e-mail [email protected].

艾伍士《第三號小提琴與鋼琴奏鳴曲》之樂曲分析與演奏詮釋

為了解決Recitals meaning的問題,作者司徒子陽 這樣論述:

出生於十九世紀中後期的一位商人──艾伍士(Charles Ives, 1874-1954),因 其創作的音樂作品極具實驗性和創新性,而被後世認定為二十世紀最重要的作曲家之一,其對音列和複調性等創作技巧之嘗試甚至比荀伯克、斯特拉溫斯基等著 名的作曲家來得更早。艾伍士亦在他的作品中大量援引本土音樂以及教會讚美詩的旋律,後更試圖以音樂本質的內容描繪美國人的共同經驗,使其作品帶有超前 且獨特的敍事性,而他對美國理想主義的思考亦使他成為首位真正意義上的美國本土作曲家。本研究分為四個部分,第一部分主要探討艾伍士的生平背景,揭示艾伍士在 學習不同音樂傳統之下所受到的美學衝擊;第二部分以「新英格蘭超驗主義」

思 潮和艾伍士的著作《在奏鳴曲之先的短文》作為起點,嘗試交代艾伍士成熟時期的美學判斷,以及由其所衍生的音樂形式;第三部分集中討論《第三號小提琴與 鋼琴奏鳴曲》的創作背景和樂曲分析;第四部分為樂曲之演奏詮釋研究,以樂譜 和上述研究論點歸納出更貼近作曲家原意的詮釋方式,並提供演奏上的建議。

舒伯特《岩石上的牧羊人》作品詮釋與研究

為了解決Recitals meaning的問題,作者林欣儀 這樣論述:

擁有「藝術歌曲之王」美名的法蘭茲・舒伯特(Franz Schubert, 1797-1828),僅三十一歲的短暫歲月裡留下的最後一首作品《岩石上的牡羊人》(Der Hirt auf dem Felsen, D. 965),是由德國女高音安娜・密爾達・豪普特曼(Anna Milder Hauptmann, 1785-1838)所委託創作的歌曲,曲中以絢麗的技巧輔以動人的旋律編寫,加上其寬廣的音域、華麗的織度以及極具挑戰的花腔技巧,為女高音音樂會上常見的曲目。 《岩石上的牡羊人》雖由女高音詮釋的歌曲,歌詞卻以男性口吻譜寫;在貧病交加且灰暗的時刻之中,舒伯特卻譜出如此明亮活潑、燦爛耀眼的旋律

,這些看似衝突矛盾的意象背後,作曲家究竟想要表達的意涵是甚麼? 本文將從舒伯特的作曲技巧以及當時創作的背景為出發點,輔以詩詞分析來探討本首作品,並且聚焦在音樂詮釋上,來剖析歌者、單簧管與鋼琴三者之間的互動,以及如何詮釋本首作品。