雕塑的問題，透過圖書和論文來找解法和答案更準確安心。 我們挖掘到下列精選懶人包

Magdalena Abakanowicz

為了解決雕塑的問題，作者Coxon, Ann,Jacob, Mary Jane 這樣論述：

A stunning exploration of an extraordinary and unique body of work Magdalena Abakanowicz (1930-2017) was a Polish sculptor and fiber artist, most notable for her use of textiles as a sculptural medium. In the 1960s and 1970s she wove sisal in intense colors to create towering, hanging pieces that

radically expanded the field of sculpture and installation art and catapulted the international fiber art movement. Known as Abakans, these ＂organic environments＂ carried many meanings and were often large in size, containing entanglements of ropes or dividing spaces. They were spaces to contemplat

e, to immerse oneself, to experience. Lavishly illustrated with immersive photography and stunning details, this beautiful book explores the unique nature of these monumental works and their impact as environmental sculpture. Considering the relationships between the Abakans and their forest-like a

tmosphere, as well as other key works, it reveals the artist’s broad interest in natural phenomena and folk-art traditions from different cultural backgrounds, and the mastery and determination of a woman artist who, despite the restrictions of living in Poland under an oppressive Communist regime,

established a career as an international artist. Drawing on themes such as shamanism, female energy and power, pregnancy, and insights on human nature, the book highlights Abakanowicz’s pioneering contribution to installation art and the role of collaboration in her practice, while also contextualiz

ing her work within the Polish art world and wider postwar Europe.

雕塑進入發燒排行的影片

人與自然的介面 －黃冠菱創作研究

為了解決雕塑的問題，作者黃冠菱 這樣論述：

本論文《人與自然的介面－黃冠菱創作研究》主要以筆者2015至2022期間所創作之作品為探究對象，將「人為」與「自然」作為主要的兩大軸線進行探討與研究，從作品中的材質性、空間性、時間性、形式、態度、立場等諸多面向作為切入，比較人為加工媒材與自然原生素材，對照自然的時間序與人為定義的時間，分析作品脈絡、形式、手法，從地景藝術之空間到貧窮藝術之材質，論證作品與藝術史相關的議題與研究，從中探尋自身作品與藝術史觀中的位階與定位，挖掘作品中潛在意識以及作品背後更深層、更具價值的課題，以作為乘載作品之載體，於未來創作時能更具系統及脈絡的基石與核心架構。

Florida Sculptors and Their Work: 1880-2020

為了解決雕塑的問題，作者Pollack, Deborah C. 這樣論述：

The first study of its kind, featuring over 80 important artists who worked in Florida. With its natural beauty, distinctiveness, and warmth, Florida has attracted an abundance of artists for centuries. While fine painters have been featured in art books about the state, little has been written a

bout important sculptors who have adopted it. To remedy the dearth of literature on the subject, Florida Sculptors and Their Work: 1880-2020 is a tribute to these diverse artists who have enchanted, amused, saddened, or outraged us. Capturing the Sunshine State’s essence, this well-researched and ge

nerously illustrated volume tells the fascinating stories of these creative people and reveals secrets behind their three-dimensional art--from realistic to abstract to folk art. Discover how Florida has inspired such world-renowned artists as Augusta Savage, Duane Hanson, Richard Anuszkiewicz, John

Chamberlain, and Robert Rauschenberg, as well as lesser-known yet highly praised sculptors who have enhanced collections throughout the world and changed the state’s profile with their iconic public art. This indispensable resource is a must-have for those interested in Florida’s art, history, and

culture. Select list of museums whose work is featured: TK

尋找自己的過程

為了解決雕塑的問題，作者姜運威 這樣論述：

人誕生在這世界上，探索自己內心深處，尋求自我是一輩子的課題，隨著年齡的增長、身份的變化、環境的變遷及時代的推進，不同階段的自己，對周遭的事件與人都有著不一樣的認知與感受，了解自己可以透多種不同的形式，內向而不善言語交流的筆者，只能透過創作的形式把內在的情緒釋放。回顧過去的創作，大學時期是一種下意識的創作，當下的想法直接表達出來，而研究所的創作即是一種反映個人面對外來感受的內在情緒，現在的創作更是一種對生命的領悟，對於生活體驗的感受。過往關注的焦點，都在談論著社會黑暗面，試圖印證人生來即是醜惡的，但在追尋的過程中，這些關注的事，其實都源自於自身，只是一直並未發現，與其去批判指責複雜的社會百態，

為何不先好好反省自己。借著本次研究來梳理出自身創作的脈絡，透過創作來尋找最真實的自己。本論文的架構先從緒論開始，談及創作研究動機與目的、創作研究的方法與範圍。第二章為學理基礎與文獻探討，先從精神分析的領域探討，以拉岡（JacquesLacan，法國，1901-1981）「鏡映效應」（looking glass self)等觀點，從藝術史的脈絡中以日本藝術家奈良美智（Yoshitomo Nara，日本，1959-）為例進行論述。第三章為創作理念和所用的媒材技法作探究。第四章則回到自身的創作系列的分析，第五章是本研究的結論與展望。筆者透過本次創作研究，以創作個展《彳亍》重新認識自我，希望透過創作，

表達出自身內在的情緒，在創作的過程發現了過去忽略的盲點，也逐漸從中尋找到遺失的自我。